#Ram pressure effect stars movie#

I hated that.' ( The Fifty-Year Mission: The Next 25 Years, p. Doug Drexler noted, ' I never liked what they did in the movies with the flashy red, white, and blue. The warp visual from the TOS movies wasn't popular with all production staffers. And then we'd go, 'There's a bump in the track,' so somebody comes in with hammers and wrenches and fixes the track, and we'd do it again.'' ('Industrial Light & Magic: The Visual Effects of Star Trek', Star Trek III: The Search for Spock (Blu-ray) special features) Close it down.' Problems would be things like, 'Oh, we see a wobble in the track.' We would shoot the shot. Lots of it we just did manually I'd have a start and an end mark, and I'd just measure out and go, 'Okay, next frame. ILM Visual Effects Supervisor Scott Farrar commented that, for the TOS films, the effect of showing warp drive streaks in space was ' very complicated to do, to figure out. Most of the later instances of warp drive visual effects in the TOS films were achieved by Industrial Light & Magic.

#Ram pressure effect stars movie#

However, this idea was discarded in the final version of the movie because a more straightforward shutter-open streaking was chosen instead. Early concept art depicted the Enterprise encased in a warp bubble that refracted a color-spectrum-shifted starfield around it. 38)ДЇor Star Trek: The Motion Picture, an unused concept for portraying warp was inspired by suggestions from the film's science adviser, Jesco von Puttkamer. Originally, Gene Roddenberry wanted the effect of the USS Enterprise engaging warp drive to cause the starship to become transparent.